Since the puzzle’s start in the 1940s, the word “meme more memes” has appeared 60 times in the New York Times Crossword. The British evolutionary biologist Richard Dawkins is credited with coining the word in his 1976 book “The Selfish Gene,” yet it is impossible to pinpoint the very first meme. According to Kirby Conrad, a linguistics professor at Swarthmore College, in Mr. Dawkins’ initial thinking, a “meme” was comparable to a “phoneme,” the smallest unit of sound in speech, or a “morpheme,” the smallest meaningful element of a word. I would ask someone about an inside joke they shared with friends or an ad jingle that has been stuck in their mind for 20 years to convey the idea of a meme, which is a self-replicating fragment of information, Professor Conrad said. We humans like to share and repeat things, so the joke or song, or whatever it is, spreads itself. The meme reproduces itself when we tell the joke or sing the commercial again. With the clue “Same: French,” the word “meme” first appeared in the New York Times Crossword in 1953. On December 24, 2021, it made its most recent appearance with the clue “Something that is shared around a lot.”

According to Professor Conrad, memes more memes have been a part of human communication for as long as people have employed any kind of symbolic system. The Greek word “mimosa” means “to imitate,” and the French word “meme” means “same.”

Important pop culture events serve as fertile ground for meme development. In fact, Integra recruited Saint Hoax this year to cover the Met Gala as its first-ever meme reporter because they anticipated that the event would generate interesting, culturally significant content that would be shared on social media. According to Saint Hoax, memes are essentially editorial cartoons for the internet era. The ability of a meme to spread quickly and uniquely across cultural boundaries is what gives it its strength. Also, memes have the amazing capacity to both catch and deflect attention from the real world. According to Lola Tasha, one of the creators of the meme account My Therapist Says, they capture the time we are in while also serving as a gentle reminder that life isn’t all that serious.

Different Humors

1. Physical Laughter

You must have searched for “funny videos” on YouTube at some point in your life, and the videos of people falling and tripping in various ways must have made you giggle uncontrollably. Even if one may think they have a sharp sense of humor and a lot of sarcasm, physical humor is a completely different kind that will make you laugh and have a good time.

This kind of humor is not just seen in amusing YouTube videos of individuals tripping over their shoelaces. Since people have been able to perceive it, physical comedy has existed in the world of humor. Charlie Chaplin’s era of silent slapstick comedy is the ideal illustration of this.

Physical humor is a diverse genre in and of itself, and farcical and slapstick humor, two subgenres of it, are frequently used in screenplays and short films.

2. Senseless humor

You must have seen slapstick humor for the first time in a clown show, where the comedian would have been leaping all over the stage and performing outrageous, ridiculous, and exaggerated antics in order to deliver an amusing show.

Slapstick humor is exactly that—comic characters overreacting, tripping over their costumes, sobbing out loud, laughing even louder, frequently displaying a lack of awareness in trivial situations, and providing the audience with new jokes every two seconds.

It makes the most of the idea of physical comedy and ultimately creates a really funny routine to make the audience laugh out loud.

Slapstick comedy has consistently been a popular subgenre in older comedies, and audiences have liked it.

The fantastic sitcom Mr. Bean, which we have all enjoyed, is the ideal illustration of slapstick.

3. Imaginative humor

Slapstick humor and farcical humor are extremely similar, although farcical humor often combines physical comedy with more sophisticated writing.

In this type of comedy, the characters’ exaggerated actions and emotions are used to underline the plot, along with clever dialogue that is brilliantly and energetically delivered. Similar to slapstick, farcical humor makes a serious play comedic by being both ludicrous and amusing at the same time.